Fig. 1 Blue Velvet Poster |
Fig. 2 Idyllic lifestyle. |
Fig. 3 Dorothy and Jeffery's violent interactions. |
Fig. 4 Franks sexual aggression and dominance over Dorothy. |
David Lynch himself explains that his portrayal of Lumbertown is as truthful to him as any other. He expressed that "This is the way America is to me. There's a very innocent, naive quality to life, and there's a horror and a sickness as well. It's everything." (Lynch, Rodley, 2005:139) The sickness which is no more prominent than in Frank Booth's character. He is a violent, merciless and as mentally unstable as they come. Martha Nochimson explains that "Frank is Freudian, fearing too much similarity to women, but the spectator is overcome by the horror of too much dissimilarity to femininity in the secret criminal haunts of Lumberton, and of far too much control exerted over women." (Nochimson, 1997:103) Within the narrative, the audience can see that Frank has some serious childhood trauma that dates back to his parents, most significantly his mother. This is the reason for his hatred and violence towards Dorothy, a woman that he won't allow to look at him while he uses her body. She may remind him too much of what he once was, emotional and fragile, an example of this is when he gets extremely emotional over music but once he realises this, he compensates with violent outbursts. Mulvey acknowledges that "Frank represents the 'pre-Oedipal father'. The lifelessness of life in the small-town home contrasts with Dorothy's shockingly direct sexuality... and Frank's horrific restless energy, always torn by violent emotion." (Mulvey, 1996:142) His violent sexuality has been passed onto Dorothy and his emotional unbalance keeps her there, always changing from incestuous affection to aggression and pain.
Blue Velvet is an excellent example of how a mixture of different elements can merge and create a twisted but fascinating story. Erica Sheen and Annette Davison believe that Blue Velvet creates "a world where secrets and mysteries do exist; a world that so uncannily conflates past and present, image and reality, dream and wakefulness, that a social register of explanation seems absurd." (Sheen, Davison, 2004:68) It is another example of David Lynch's unshakable ability to portray an utterly real world consisting of completely fictional elements.
List of Illustrations
Figure 1. Blue Velvet Poster At: http://www.moviegoods.com/movie_product_static.asp?master_movie_id=8253&sku=371475 (Accessed on: 16.01.2011)
Figure 2. Blue Velvet (1986) Idyllic lifestyle. At http://www.fanpop.com/spots/david-lynch/images/11159942/title/blue-velvet-screencap (Accessed on: 16.01.2011)
Figure 3. Blue Velvet (1986) Dorothy and Jeffery's violent interactions. At: http://historiesofthingstocome.blogspot.com/2010/09/opening-time-capsule-year-1984.html (Accessed on: 16.01.2011)
Figure 4. Blue Velvet (1986) Franks sexual aggression and dominance over Dorothy. At: http://www.cavanarts.ie/Default.aspx?StructureID_str=29&year=2010&month=11 (Accessed on: 16.01.2011)
Bibliography
Lynch, David, Rodley, Chris (2005) Lynch on Lynch. New York: Faber and Faber Inc.
McGowan, Todd (2007) The impossible David Lynch. New York: Columbia University Press.
Mulvey, Laura (1996) Fetishism and curiosity. Indiana: Indiana University Press.
Sheen, Erica , Davison, Annette (2004) The cinema of David Lynch: American dreams, nightmare visions. London: Wallflower Press.
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